It is really an interesting proven fact that usually most widely used subculture is cooked up by someone that seeks profit only, after which is fed to some hungry young crowd of fans. This isn’t always true in Japan, though. The art is made for the art’s sake is the thing that comic market followers are yearning for.

Yoshishiro Yonezawa, a novelist, critic and a passionate supporter of popular manga subculture, created an idea of founding an enterprise, an industry that is open for all you non-professional manga artists who form their own circles called doujinshis to make manga mimic artwork and magazines (that are called doujinshis, too). The idea became popular as Comiket, the largest comic market on the globe, is held in Japan twice yearly for several days back to back every time in winter and in summer. There are many than 35 thousand circles engaging as well as more than half millions of attendees.

It is a space where freedom of expression is preached on the major, and organizers never wanted so large successful of these creation. Before Comiket, young people who studied in high school or university, taken part in comic markets as amateurs, and ceased to participate in after graduation. In mid-seventies this changed drastically. It was not just a hobby, but a lifetime passion, as many artists got appreciation and followers because of a growing interest in doujinshi phenomenon. There are other than two thousand doujinshi markets happening in Japan annually, and Comiket is in no way the most famous one.

Now the idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China and even U . s .. The quantity of doujinshi circles mushroomed as markets provided great opportunities for the large numbers of amateur artists and mangakas (manga artists).

First the predominant a part of doujinshis creators were women, about eighty per cent. From the 1980s more males became interested, now the ratio seems to favor female artists only slightly.
We conclude that doujinshi is a visual cultural phenomenon which is shaped mostly by youth, yet its meaning and consequences have global importance.

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